HAPPY MAY THE FOURTH* FOR ALL WHO CELEBRATE: The Force adrift.
There is no greater testament to how misbegotten the entire endeavor was than the fact that not once in the sequels do the heroes from the original trilogy appear in the same movie, let alone on screen together. The whole point of the sequels, and the justification for much of the anticipation for them, was seeing the old gang back in action. Yet it seems never to have occurred to anyone at Disney — not CEO Bob Iger, not Lucasfilm President Kathleen Kennedy, no one — that this might be a problem. Luke, Leia, Han, Chewie, and Lando share zero seconds of screen time. How could that happen? It’s the plot equivalent of leaving an exposed thermal exhaust port in the Death Star design: something which makes much more sense as the result of carelessness, incompetence, and bureaucratic inertia than as the purposeful act of sabotage it was retconned into in Rogue One: A Star Wars Story (2016).
The original trilogy is a classic saga of a hero’s journey set against the backdrop of a fight between good and evil, dressed up in futuristic, science-fiction garb. The prequels are an allegory for the unraveling of the postwar American political order, a tale of institutional decadence and collapse. Can anyone say what the sequels are about? There’s no overarching storyline because it was never planned out; the switch of writers and directors produced dramatic, often contradictory narrative shifts. Say what you will about Lucas’s vision, he had one. There is no vision to the sequels. It is questionable whether a corporate writer’s room can even have a vision, though it did give us the hopelessly dated presence of Lin-Manuel Miranda. And Space Monaco. Seriously, what the hell? That Mickey and Co. have managed to release just five movies, and none since 2019, is indicative of its struggles. A sixth, based on the Disney+ series The Mandalorian, is scheduled for May. We’ll see how that goes.
John Nolte has some thoughts on that: ‘May the Fourth Be With You’ Fans Rip Kathleen Kennedy.
The problem always was Kathleen Kennedy, who despised the mammoth Star Wars fanbase and decided to alienate and insult them with her stupid and narcissistic “The Force Is Female” campaign.
Why?
Why did Star Wars need to be feminized?
To what end?
No one does this to female-driven franchises. If they did, The Devil Wears Prada 2 would have gunfights and car chases.
Kennedy feminized Star Wars, she queered Star Wars, and when the fans complained, she and her acolytes (if you’ll pardon the expression) attacked those fans as sexist and racist — even though fans loved the female-led Rogue One, which is populated with non-white supporting characters.
If The Mandalorian and Grogu disappoints at the box office, there will be no blaming streaming or COVID or whatever other excuses the sycophants in the media come up with. So far, 2026 has proven again and again that if you make appealing movies (Prada 2, Michael, Project Hail Mary, Super Mario Galaxy Movie) people will come.
The box office problems post-COVID have been entirely due to woketard movies and nothing else. If The Mandalorian and Grogu flops, especially during a year when people again feel good about going to the movies, that will all be on Disney and Kathleen Kennedy for destroying their golden goose.
I’m holding out for next year: The original 1977 Star Wars returns to theaters for a “once-in-a-generation event” to remind everyone who shot first.
* And for those who don’t:
