CHRISTOPHER F. RUFO AND RYAN THORPE: The Racialist State. “With a whole-of-government effort tilted toward equity, California is poised to become the next South Africa.”

Predictably, the measures deemed necessary in the aftermath of apartheid have become permanent. For many of the country’s leaders, the question is no longer whether racial redistribution is permissible; instead, the question is how extreme the racial redistribution will be. Race has been reinforced as a continual site of social conflict, instead of fading into the background of a multiethnic society.

Three decades later, the South Africa model is being replicated in an unlikely place: California. The state’s leaders have increasingly embraced a radical, race-based vision of politics that echoes South Africa’s post-apartheid experiment in racialized government.

For much of the twentieth century, California was a refuge for those fleeing the racism and discrimination of the Deep South. During the Great Migration’s second wave, black families set up in Los Angeles, Oakland, and San Francisco, seeking middle-class jobs and a better life for their children. California was seen by many as a utopia, with stunning physical beauty, abundant economic opportunity, and a political culture that embraced individualism and meritocracy, rewarded risk taking, and upheld the equality of all people under the law. That era is over.

This City Journal investigation—based on an extensive review of government records, reports, and legislation, as well as interviews with leading legal scholars—reveals that during the past 15 years of one-party rule, California Democrats have worked tirelessly to import South Africa’s post-apartheid playbook to the Golden State.

We know how this ends.

But as Glenn noted yesterday about Mamdani and New York City, “When you realize its goal is to cement losers into power, it never fails. The purpose of a system is what it does.”

ONE MAN CAN MAKE A DIFFERENCE…:

…but it helps if he’s as cool as Freddy.

BOOKMARK THIS FOR LATER TONIGHT, WHEN YOU’LL HEAR THE LAMENTATIONS OF THEIR WOMEN:

THEY DON’T ACTUALLY CARE ABOUT CARBON, THEY CARE ABOUT PROMOTING COMMUNISM.

ANALYSIS: TRUE. Reducing Violent Crime Isn’t Complicated, You Just Have to Want to Do It. “Nor is it a coincidence that the record influx of illegal immigrants during the Biden administration coincided with a sharp increase in violent crime. It is equally unsurprising that crime has fallen as deportations have increased. Deportation records show that 70 percent of illegal immigrants deported during the Trump administration had either criminal convictions or pending criminal charges in the United States. Even those who avoid arrest understand that any contact with law enforcement could lead to deportation, giving them a strong incentive to stay off the police’s radar and avoid committing additional crimes.”

CHRISTIAN TOTO: Christopher Nolan’s Odyssey Is a Stunning, Frustrating Triumph.

Nolan is working on a different level than every other filmmaker today. His grasp of technology, his eagerness to wow with every shot, is unrivaled. Some of his recent projects have reflected his cool, almost detached approach to character, but Damon’s performance flicks away such concerns.

The actor has never been so invested in a character’s humanity. The film’s anti-war bona fides will grab plenty of attention, but it’s only a small part of his performance.

This is the film that may make us stop taking Damon for granted.

Nolan’s mastery has never been in doubt. So why are the film’s first few moments burdened by sound issues that make deciphering the dialogue a chore? Why tease out the film’s modern anachronisms with a rap-like bard (Travis Scott) and use current profanity to break the movie’s spell?

Earlier reviews, both pro and con of The Odyssey are here, along with this clip from one of Steve Coogan and Rob Bryden’s The Trip miniseries, which reminds us that The Odyssey is far from the first Nolan epic where “deciphering the dialogue” is quite a chore for the audience:

CONFORM, THEY EXPLAINED:

I’m so old, I remember when lefties at least pretended to be freethinkers.

DON’T GET COCKY: Democrats Got Some Devastating News About the Midterms. “New data show Democrats are not gaining momentum this summer. Some of it suggests they’re losing ground, and losing it fast.”

Seriously, vote as though your life, liberty, and property depend upon it. And bring friends.

R.I.P., JERRY: Things have really turned around since this interview, thank God. And thank Elon.

I DON’T REMEMBER ANYONE TELLING ME THAT, BUT THE MATCHES HAVE BEEN MORE FUN TO WATCH THAN I EXPECTED:

But “BOW TO YOUR BRONZED OVERLORDS” is a keeper for sure.

SMART:

WELL SAID:

“I’m fine with complaining about the GOP, even Trump. But this ‘why should we vote for them’ approach is suicide-by-killing-the-good-in-pursuit-of-perfect.”

WELL, YEAH: Critics cast doubt on Biden’s claims he personally wrote upcoming memoir.

Conservatives and other critics raised doubts about Biden’s claim that he’d written the book, which is called “Promise Me, America.”

Former Los Angeles mayoral candidate Spencer Pratt said that Biden couldn’t write his own name, so he’s not writing books, referring to Biden’s reported use of the autopen to sign documents.

“Politicians write books to launder money. Nobody wants to read this, but the corrupt NGOs he provided for as President will buy up 100K copies and burn ’em to hold up their end of the bribes,” Pratt said on X.

Rep. Nancy Mace, R-S.C., also chimed in, asking, “How many chapters are about your time hiding in the basement while someone else ran the White House?”

Conservative commentator Steve Guest said, “The first lie of Joe Biden’s book launch: ‘I’ve written a book.'”

Most of these things are ghost-written, but Biden’s memoir might be the first to be ghost-remembered.

DISPATCHES FROM THE BLUE ZONES:

Only one billion over budget? No wonder it’s years behind schedule — they need extra time for the grift.