MISTER, WE COULD USE A MAN LIKE NORM MACDONALD AGAIN:

Evergreen:

AT LEAST NOBODY MENTIONED THE WAR: Nice Little Election You Won There – It’d Be a Shame If You Acted Like It Changed Anything.

There’s even been some surprising blowback on sainted figures within the German establishment once the smoke cleared and people could think somewhat calmly again.

Mutti Merkel might have a heavy heart over the results…

…but it’s not stopping accusing fingers from pointing in her direction, something that would have been nearly unthinkable in public before Sunday’s disaster. Merkel might well be Germany’s affectionate ‘Mutti’ or ‘mother,’ but she also literally gave birth to the AfD through her policies while chancellor.

It’s also a sign of the times that the slippery Merkel now claims never to have been a fan of the firewall, where she ripped Merz for reaching over it to pass a bill in January of 2025.

Much more at the link.

ASTROTURF ALL THE WAY DOWN:

MEMORY HOLING THE BIGGEST AMERICAN EVENT OF THE 21st CENTURY:

As far back as 2005, Mark Steyn how strangely quiet Hollywood was on both 9/11 and the GWOT: Hollywood’s real slump is in storytelling

Say what you like about those Hollywood writers of the Thirties and Forties, but they were serious lefties. Their successors are mostly poseurs loudly trumpeting their courageous “dissent” while paralyzed into inanity. This year’s Sean Penn thriller, “The Interpreter,” was originally about Muslim terrorists blowing up a bus in New York. So, naturally, Hollywood called rewrite. And instead the bus got blown up by African terrorists from the little-known republic of Matobo. “We didn’t want to encumber the film in politics in any way,” said Kevin Misher, the producer.

But being so perversely “nonpolitical” is itself a political act. If there were a dozen movies in which Tom Cruise kicked al-Qaida butt across the Hindu Kush, it would be reasonable to say, “Hey, we’d rather deal with Matoban terrorism for a change.” But, when every movie goes out of its way to avoid being “encumbered,” it starts to look like a pathology.

And by the time Hollywood released this summer’s “Stealth,” some studio exec must have panicked that, what with all this Bono/Live8 debt-relief business, it might look a bit Afrophobic to have any more Matoban terrorists. So “Stealth” was a high-tech action thriller about Air Force pilots zapping about the skies in which the bad guy is the plane.

That’s right: an unmanned, computer-flown plane goes rogue and starts attacking things. The money shot is – stop me if this rings a vague bell – a big downtown skyscraper with a jet heading toward it. Only there are no terrorists aboard the jet. The jet itself is the terrorist.

Similarly, in 2015, Hollywood released The Walk, about Philippe Petit’s insane 1974 tightrope walk between the two towers. Cheer for the nostalgia of seeing the World Trade Center digitally recreated on a tall movie screen! Thrill to the sight of a daredevil Frenchman 1,350 feet in the air! Pay no attention to our industry’s inability to tell the story of how the twin towers were felled 27 years later!

DON’T GET ME STARTED:  Respect for the past.

Ain’t no one got time to hear me rant for three hours.

THE PRC IS DRIVING SOME OF THIS SHIT:  The Return of What is Truth.

However, Russia and our native pudding heads came up with some of it too.