CHRISTIAN TOTO: Cannes Lets Hollywood Elite Show Their True Selves.
The festival allowed Oscar winner Javier Bardem to rage against the dying of the Israeli state without fear of a single pushback. That’s exactly what he’s done this week, in lie of promoting his new projects or breaking down his craft.
That would be interesting. He’s a brilliant actor with considerable range. Instead, Bardem trotted out the false “genocide” card against Israel.
It doesn’t help that film journalists tee up the stars to get political, hoping they share their left-leaning views and get them more clicks. Bardem was only too happy to oblige. The star, promoting his new film, “The Beloved,” claimed the industry blacklist against pro-Palestinian actors won’t stand for long.
As if it ever truly started.
“The fear does exist, granted, but one has to do things even if you feel a bit scared or afraid …You have to be able to look at yourself in the mirror, look at yourself in the eyes and that was my case. My mother taught me to be the way I am. There is no plan B. This entails consequences, which I am fully ready to shoulder.”
Bardem’s personal sacrifice? He’s the star of “The Beloved,” headlines the new Apple TV+ reboot of “Cape Fear,” will appear in “Dune 3” this winter among his current and future project.
Some blacklist. James Woods would like a word with Bardem.
Bardem wasn’t finished, though. He also blased President Donald Trump for flexing his “toxic masculinity.” That’s the kind of bold, subversive commentary that could get him in trouble, career wise.
He might start getting too many job offers all at once.
Meanwhile the Hollywood Reporter’s headline writer has a “Somebody Set Up Us The Bomb” moment: Hollywood Ghosts the Croisette, Queer Cinema Owns It and AI Crashes the Party: Five Takeaways From Cannes 2026.
Including this bit of fun, also involving Bardem:
The biggest drama at Cannes 2026 was off-screen and involved a growing civil war between French film industry professionals and the country’s top studio, Canal+.
On the eve of the festival, some 600 French film professionals, including Juliette Binoche, Adèle Haenel and Swann Arlaud, signed an open letter protesting Vincent Bolloré, the right-wing media mogul who is the leading shareholder in Canal+. The letter didn’t mince words, calling Bolloré’s expanding French media empire — he is already a leading force in film and TV production and, through Canal+, is planning a takeover of UGC, the country’s third-largest theatrical exhibitor — a “fascist takeover of the collective imagination.”
The anti-Bolloré petition gained momentum after Canal+ CEO Maxime Saada, speaking in Cannes, said he would blacklist the signatories. Thousands put their names to the open letter, including international stars like Javier Bardem, Mark Ruffalo, Yorgos Lanthimos and Ken Loach.
By the end of the festival, there were more than 3,500 names on the petition. France’s biggest trade union representing entertainment workers has said it will file a lawsuit against Canal+ for Saada’s blacklisting threat. The audiences at Cannes screenings made their feelings clear by loudly booing the Canal+ and Studiocanal logos whenever they appeared on the big screen.
With French elections next year and the far-right National Rally party expected to challenge for the presidency, this particular French film drama is nowhere near its climax.
Most conservative actors in Hollywood stay in the closet until they’ve got very well-established careers because they know that if they openly support politicians with an (R) after their names, they’ll be, to slightly paraphrase the title of Roger Simon’s autobiography, blacklisting themselves in the industry. Why are Bolloré and Saada obligated to hire celebrities who openly hate their guts?