THE LEFT LOOKS AFTER ITS OWN:

SETH MANDEL: The Normalizing of Mamdani’s Creepy Bibi Obsession.

Mamdani should say that, were he an official of an ICC member country’s national government, he would support arresting a foreign politician he disagrees with. But as he’s the mayor of a city in a non-ICC country, he is about several dimensions removed from being able to make this threat without coming off like someone more deserving of a restraining order.

As so often happens, Democratic Sen. John Fetterman had the right response, which was to mock the mayor as a fake “tough guy” who is all talk. The key to this discussion, as far as I’m concerned, is to resist the temptation to pamper Mamdani’s fragile ego by pretending there is a real-world debate over arresting Netanyahu.

The serious question at hand isn’t whether Mamdani will arrest Netanyahu but whether we should be concerned by the insanity of the mayor’s behavior. Do foreign officials need police protection from the mayor of New York City? Does Mamdani have a list of global politicians he openly fantasizes about assaulting? Or is it just the guy governing the world’s only Jewish state?

We should be concerned about the baleful effects of normalizing this kind of nuttiness.

“The goal is always to denormalize normal things, and normalize abnormal things,” as Glenn just noted yesterday in a different context.

IT ISN’T LIKE THAT, IT’S EXACTLY THAT:

TWENTY MINUTES INTO THE FUTURE: Will – and Can – Trump Target Pickaxe Mountain Next?

Undoubtedly, the IRGC wants to find an untouchable facility for their (not so) secret work on nuclear weapons. However, if they waited until after Operation Midnight Hammer to move centrifuges and critical tasks, they may be prepping Pickaxe more as a place from which to start from square one. The Iranians did not get the chance to move material from Isfahan and Natanz before they provoked the Israelis into the Twelve Day War, and they wouldn’t have moved anything out of Fordow at all. The Iranian regime fully believed Fordow to be as impregnable as Pickaxe seems to be now, right up until Trump ordered a series of bunker-buster bombs dropped into its vents and demolished operations there. Afterward, the US has kept a very close eye on activity at all three sites, and Trump has himself shared the operating analysis that the Midnight Hammer bombing runs buried all of the material at those sites, including Iran’s highly enriched uranium.

The timeline suggests that the IRGC decided to create a second Fordow, as it were, rather than a replacement for it. That’s worrisome in itself, but they have had only six years to move what remained from the damaged centrifuges in the 2020 incident while operating their main development sites in parallel. The rapid increase in activity during the Twelve Day War and after Operation Midnight Hammer would likely be a reaction to losing the advanced operations entirely at the other locations, and an attempt to set up a new site where those could be rebuilt rather than just a relocation of those activities with full capacity. That’s still a bad development, although hardly unexpected from this regime.

So can we take Pickaxe off the board too? Last week, Trump told Hugh Hewitt that it’s already made the target list[.]

Faster, please.

HE’S DOING GREAT!

Steve’s Second Law of Holes states that when your opponent is busy digging himself into one, hand him a bigger and nicer shovel.

DIFFERENT TAKES:

DAVID STROM: How’s It Going in Hungary? “They are coming down like a ton of bricks on Orbán and his political party, following the now-familiar EU plan to subvert elections by canceling them if their candidates aren’t likely to win, banning political parties, disqualifying candidates, and rigging the rules.”

BECAUSE ABC NEWS HAS NO STANDARDS. NEXT QUESTION?

For whatever reason — a misguided attempt at prestige, perhaps? — “The View” is produced by ABC’s news division. Which is all you need to know about the standards of ABC News.

QUESTIONS ASKED:

Tweet continues:

GILL: Your organization says politeness is a defining characteristic of white supremacy culture.

Ma’am, are you a white supremacist?

HARTIG: No, sir.

GILL: Why does your organization say being polite is part of being a white supremacist?

ANOTHER ONE:

GILL: Is objectivity important for history?

HARTIG: We strive to be objective

GILL: Your document says being objective is white supremacy.

HARTIG: Mm…

GILL: Are you promoting a white supremacy culture at the Smithsonian? Ma’am, is this a difficult question?

Later in Gill’s grilling, he’s christened the newest ride at Disney World: The Mickey Mouse Minstrel Mobius Loop!

Flashback to 2020’s Summer of Love: And the Answer is None. None More Woke: The Smithsonian’s Anti-White Propaganda. “Did David Duke write this stuff? It’s crazy! If a white man said that black people are lazy, can’t keep to a schedule, have no respect for authority, can’t think straight, are rude, etc. — he would be rightly criticized as racist. But there it is, at the taxpayer-funded National Museum of African American History and Culture. Why? Why do we pay for this racist propaganda? The museum itself looks fantastic, but this is disgusting.”

Click to enlarge.

 More at the Washington Examiner: African American History Museum’s website says being on time is a marker of ‘whiteness.’

SKYNET SMILES (AGAIN): New F-16 Kit Hands the Controls to AI at the Flip of a Switch.

The capability was recently demonstrated by the US Air Force, marking a major step toward autonomous air combat.

The test was conducted under the Viper Experimentation and Next-Generation Operations Model (VENOM) program, a collaborative effort involving the Defense Advanced Research Projects Agency (DARPA) to advance AI for future combat aircraft.

At the heart of the project is the VENOM Autonomy Kit, an upgrade that interfaces with the F-16’s flight controls and mission systems.

It allows pilots to seamlessly switch between human and AI control while remaining in the loop to oversee the mission.

The on/off switch is hardware, not software, right?

Right?

CHRISTOPHER NOLAN’S ODYSSEY: Epic for Our Times or Epic Failure?

The horse! That great military ruse, that glorious deception, that immaculate trick that continues to inspire us even today was, to its originator, nothing but original sin. In a rueful third-act speech, Odysseus laments that the cleverness of his tactics destroyed the natural bonds between people. The people of Troy were trusting and grateful for the gift, and he repaid their civility with death and destruction: He has become death, the destroyer of worlds.

If the sentiment—heck, even some of the exact words—sound familiar, it’s because Nolan has pondered them once before, in Oppenheimer, another film about another clever chap grappling with the aftermath of his destructive ingenuity.

All of this makes for great, modern drama. It also turns Odysseus into a great modern hero, a universal figure whose journey can be adapted and understood by anyone, anywhere, because it is, after all, a sojourn to understand those common creeds that make us all human. But Homer’s Odysseus, hallelujah, was never anything of the sort. He was a very specifically Greek hero, who lived by and fought for highly specific Greek virtues like kleos, or “glory,” and timē, or “honor,” virtues that, for centuries, guided and inspired the rest of Western civilization as well.

But to believe in such virtues, and to sacrifice so much to protect them, we must also believe that they are uniquely ours and that other cultures espouse other values that are sometimes incompatible with our own. We must believe, in short, that at any moment we may be overtaken by invaders who come from afar, from outside our borders, from outside our culture, who desire nothing but our subjugation and destruction, and that resisting them is key to our survival. Nolan’s Greeks spend much time fretting about such invaders—“the people from the sea”—only for his Odysseus to deliver the perfectly postmodern observation that the only real ruinous invader was he himself. If you’re wondering how this noble-sounding insight holds up to reality, pick up any book of ancient Greek history.

Nolan, sadly, picked up a very different book, Emily Wilson’s recent translation of The Odyssey, a project dedicated entirely to making Homer’s heroes come across as a gang of preening, pathetic poseurs afflicted with terminal toxic masculinity and in dire need of a smart woman to save them all from their superabundance of penis. That’s why the movie speaks in godawful modernese: In Wilson’s translation, for example, a timeless line like “Sing to me of the man, muse, the man of twists and turns” was flattened into “Tell me about a complicated man,” as if one was pleading not to the gods, but to one’s therapist; similarly, in Nolan’s film, Telemachus calls his father “dad.”

It’s a sin worthy of the gods’ ire, if the gods, that is, were anywhere to be found. Nolan banished them all off-screen. Sure, Zendaya has a few charming moments as Athena, but the world unfurling on-screen isn’t Homer’s world, with its pantheon of rageful, resentful, and magnificent deities moving the plot along. It is ours, a disenchanted world, a world in which some bearded zealots may offer a few prayers to some unseen eminence in the sky but that nonetheless rolls along of its own accord, with men, not gods, at the very center of things.

Read the whole thing.

Related: Talk about a Trojan Horse!

COME SEE THE VIOLENCE INHERENT IN THE LEFTISM:

“The suspect admitted in his interview that he ‘DIDN’T CARE’ if he hurt or killed anyone, regardless of whether they were federal employees or civilians.”

Or immigrants.