OPEN THREAD: Tuesday’s groovy.

NFL WORLD COMPLETELY TAKEN ABACK BY BILL BELICHICK FAILING TO MAKE HALL OF FAME: ‘WTF?’

The NFL world was baffled by the news reported by ESPN on Tuesday evening that Belichick, the six-time Super Bowl-winning head coach, was not elected into the Pro Football Hall of Fame in Canton, Ohio, on his first appearance on the ballot.

Belichick fell short of the requisite 40 votes of 50 votes from the voting committee — made up of at least one media representative from each football city and other at-large members — needed to gain entry.

ESPN reported that the two major scandals Belichick was beleaguered by in New England — Spygate in 2007 and Deflategate in 2015 — were part of the discussions. Ex-Colts general manager Bill Polian, an at-large member of the voting committee, reportedly told some voters that Belichick should “wait a year” before getting inducted. Polian denied he voted against Belichick to Sports Illustrated.

Whatever the reason, Belichick — who also won two Super Bowls as a defensive coordinator with the Giants — will not be enshrined in 2026, and the football world was largely stunned.

It’s only Tuesday, but it’s been quite a week for the NFL and its awards for merit: Giants’ Jermaine Eluemunor calls Pro Bowl a ‘joke’ after Shedeur Sanders inclusion.

AMELIA VICTORIOUS: How to Lose the Culture War With a Video Game.

There’s something genuinely funny going on in the United Kingdom right now.

The British government’s Prevent office, housed under the Home Office (think Department of the Interior, but allergic to dissent), partnered with a media nonprofit called Shout Out UK (like a PBS focused on preventing “radicalism”) to come up with a clever new way to re-educate British youth.

The concern, as always, was “radicalization.” They thought the solution was inspired: a choice-based video game. Kids like games. Games involve decisions. Decisions shape values. What could possibly go wrong?

Thus Pathways was born, a government-funded interactive morality play designed to gently shepherd British children toward being properly antiracist, properly accepting, and properly enthusiastic about the ever-increasing number of migrants reshaping their country. Civics class, but fun. And digital. And corrective.

As part of this effort, the designers introduced a character named Amelia, a cute, purple-haired, vaguely goth girl who carries a Union Jack and talks about Britain being for the British. She was meant to function as a warning, a living illustration of how nationalism can look attractive, even charming, and yet be dangerous to the impressionable youths of Britain who may not have fully internalized the idea that Brexit is bad and they are to obey their elitist overlords.

What they did not anticipate was that the public would take one look at adorable, charming Amelia and decide she was the good guy.

British lefties are incandescent with rage over Amelia going viral:

 

WORST. HITLER. EVER: 

QUESTION ASKED AND ANSWERED: Why did Philip Glass cancel Kennedy Center performance?

Because he’s 88 years old, and he needs to have the proper footnotes in the twilight of his career, so that leftist music critics will remember his last days fondly and write favorable eulogies.

Related:

Heh, indeed.

FIRED NEW YORK TIMES COLUMNIST DISHES ON HER COWARDLY, CENSORIOUS NYT EDITORS:

While [Pamela Paul’s]  opinion pieces trended liberal, she voiced skepticism on issues like cancel culture, cultural appropriation, and especially transgenderism. Such iconoclasm made her a reviled figure on the left and in the Times newsroom (but I repeat myself).

The fate of former Times opinion editor James Bennet may have affected how badly Paul was treated by Kingsbury. Bennet was forced out by the paper’s internal left-wing “child mob” for platforming a piece by Republican Sen. Tom Cotton of Arkansas who argued federal forces should be sent to (deja vu) Minneapolis during the George Floyd riots of 2020.

Pamela Paul: The crime that James had committed was not writing the column or the op-ed. It was platforming it. And so, if I was writing things that were upsetting the, you know, the, the Little Red Guards or whatever, then that person in charge of the section would be guilty of platforming me….

Paul also got into the under-covered issue of online reader comments and what makes conservative posts mysteriously disappear: The paper’s leftist comment editors would do the bidding of leftist readers, who would accuse other commenters of being offensive or using the wrong pronouns, and the editors would dutifully delete those “offensive” comments – a practice that will sound familiar to conservatives.

She explained that her columns on gender issues received “overwhelmingly positive response” from readers but not from “magazines and newspapers that I felt like once would never have bothered to write stories that were essentially regurgitations and summations of a few angry tweets from activists and sort of invested parties.” The New Republic even called her a fascist.

Her February 2023 column defending author J.K. Rowling from vicious attacks by trans activists was the beginning of the end for Paul at the paper.

The Gray Lady needs to keep its hard left subscribers happy to keep the lights on, and that means avoiding any stories that might upset them. Or as America’s Newspaper of Record reported way back in 2019: